Why I like Ginger Snaps

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Why I like Ginger Snaps

1)  The movie appeals to me in the same way that Daria does. Both are about brainy outsiders who are actually estranged from their peers through social awkwardness while simultaneously being too cool for school. 

2) The fake murder/suicide photo game is perfect characterization for the two sisters: it's off-puttingly creepy, immature, charming, and ultimately harmless. Most people with some degree of intelligence and morbidity probably remember playing games like that, and it introduced us to the sister's inner world and their boredom. 

3) I've never really seen a character transform into a werewolf the way that Ginger does. The process is slow and predominantly psychological, augmenting the impatience that laid dormant in her personality while amping up her sexual frustration into something predatory. 

4) There's a real sadness to the movie as the sister's bond is torn apart by Ginger's change. The pair have lived in their own world for so long that we sympathize with Brigitte's heartbreak when Ginger appears to be breaking away and growing up.

5) I feel like there are limits to how much I can appreciate this film, having never lived in a woman's body. But the film uses the lycanthropic transformations that Ginger undertakes as a painful study in puberty. Oh adolescence. 

6) Their mom is a badass. When she thinks that Ginger murdered someone, her first thought is to take the girls, ditch her husband, and make for Canada. 

7) Ginger Snaps has one of the saddest, quietest final images in all of horror cinema.     

8) The tail-cutting scene was one of the most horrifying things I've ever seen. A lot of torture porn makes the mistake of disconnecting the violence from the characterization. By the time Ginger starts growing the tail, we've come to care about her. That makes the violence all that more horrific.

9) The werewolf story has a lot of sexual subtext, and Ginger Snaps exploits it to the fullest. Ginger seems to mature and come into her own as the lycanthropic infection takes hold. She acts out her confusion and fear through sexually-charged interactions with males, often ending poorly for the men or teenage boys in question. Most of the guys in question are predatory scumbags, and it's an interesting inversion of what many women undergo when they become subjected to that kind of attention. 

10) There are a lot of opportunities where hope seems possible. The infection initially doesn't seem so bad, Ginger seems to be fighting it, a cure is discovered, it seems like things could work out. Lycanthrope is often a terminal disease in movies, and we always desperately hoping for a happy ending to these stories, even as the hope slowly slips away.

Conclusion: Ginger Snaps is my favorite werewolf movie because it used of familiar horror tropes to tell a compelling story about characters I cared deeply about. I saw it towards the end of my adolescence and related to Brigitte and Ginger's struggles. It walks that fine line a lot of good horror movies walk between being scary and being sad, and it's one the best horror films I've ever seen.

 

The Wolfman by Jonathan Maberry

Oh my god I am so friggin' pretentious.

I do most of my course reading on the M-train commute to work. I live in Bushwick and pass through Williamsburg, heart of the Brooklyn hipster universe. Every morning I see the same familiar flannel shirt-tight jeans-ironic facial hair crowd reading Murakami and listening to Animal Collective or Das Racist or whatever. They're a pretty literate bunch, too. There are all sorts of tiny rituals involved in riding the subways and one of them involves sizing up what people are reading. When I first came to NYC, everyone was reading the Dragon Tattoo series. These days it's mostly the Game of Throne books.

Nobody's reading a novelization of a failed horror flick.

I'd see people give my book the once-over and I could almost hear that checkout counter this-does-not-compute WONK sound. For the first few rides I just wanted to plead with people: "No, you don't understand! Maberry is a really good writer! And I have to read this cuz the madman I'm taking the class from assigned this to us!"

Eventually I took to covering the cover with my bookmark while I read. It was just easier.


I really, really didn't get this assignment.

I saw the movie back in the day and I can't remember any of the plot. It was one of those 'meh' films, instantly forgotten immediately after consumption. I remember that Benicio Del Toro was miscast, Anthony Hopkins was in high camp mode, and the movie's attempt to recapture the feel of classic Universal Horror was crushed under the curdling weight of studio mediocrity.

I had zero interest in reading this book and, frankly, I thought you were nuts to assign it.

Turns out the novelization was a zillion times better.



I like werewolves okay. They make a strong metaphor for our unchained animalistic desires and they fit in extraordinarily well in straight-laced, repressive Victorian England. During the residency, I pushed forward the theory that monsters are ultimately about our polarizing desires between freedom and conformity. There's a part of us that wants to be free, even if it is completely damaging to the world around us, and there's a part of us that wants to be safe and cheers when the free thing is destroyed. I found the chapters of the wolf's rampages exhilarating. In the really-real world, I'd hate to be responsible for the violent death of dozens of people, but there's something primal in my psyche that had a lot of fun with the wolfman's gory exultation.

I like gothic stories. I like crumbing old manors full of mysteries, crazy children, mysterious deaths, and dark secrets slowly unfurling in the foggy moors.

I like stories where the werewolves are barely-disguised Oedipal complex figures battling it out to have sex with their in-law. It's so squicky!

I like the whole Goddess of the Hunt thing. It's a clever way for the characters to conceptualize the full moon.

I like decadent actors. They made living in Astoria fun. They break out into song in the middle of Two Boots, they're flirts because they're needy and they're pretty because it's part of the job. I like the world Lawrence inhabits, even if he is kind of a wet blanket.



I recently chewed apart Breeding Ground for its lack of ambition and I kind of feel like a hypocrite for not attacking The Wolfman in the same way. The difference is, I feel, style and missed opportunity. Every aspect of Breeding Ground lead me to believe it was going to say something deeper and more interesting about gender products. Even ignoring the shaky plotting, too many opportunities were missed.

The Wolfman set out to tell a gothic werewolf story and Maberry told it well. It ain't perfect, it didn't change my perspective of werewolves the way Alan Moore did with "The Curse" or the way the film Ginger Snaps did, but I liked the story. Werewolf stories are often ultimately terminal disease stories and I felt sad to see Talbot go.

It was, of course, better than the movie.